In Spring 2024, I presented my conceptual costume designs for Wren Latham’s Eat the World, Baby at the Black Theatre Society’s concert readings, where I was featured as a guest artist following the performance. My work drew inspiration from Conjur Woman, blending themes of resilience, mysticism, and fragmented identity with influences from avant-garde fashion and contemporary designers. I also incorporated 3D sculptural elements to explore how depth and dimension can enhance engagement beyond traditional 2D renderings. Centered on a story of a young writer confronting versions of herself, the designs reflect identity, imagination, and transformation through both visual storytelling and experimental form.